[L669.Ebook] Download Tikkunei Zohar Revealed: The First Ever English Commentary, by Mark Siet

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Torah study is about making connections. We relate various passages and words together and find a higher meaning that was not there a moment ago. This process is a time honored one and is acted upon by simply taking up the Tanach and reviewing a certain passage or reading what Rashi has to say. There are a number of methods to go about this.
 My study of Tikkunei Zohar is similar to all of these methods in that what I am seeking is that higher voice that rings through and unifies above and below. Inside these pages we are called upon to step outside of ourselves in order to discover the deepest inner meetings. Now it would've been possible to to present excerpts of the text and then describe what was going on, however, there's more here than a simple retelling of this presentation. Allegory is the most common device used to present the Torah inquiries we find here. The goal that I had in mind was to bring about a practical interpretation allowing the reader to make immediate use of the material in the transformation of their consciousness and with immediate results for your life experience. In almost every case higher mind is being accessed and being asked to stretch itself again and again. Therefore TKZ Revealed presents the entire text in the consciousness of "the way things work."
 Imagine that you are immersed in Torah study struggling with a verse for a concept the meaning of the word and in a flash of inspiration you feel yourself lifted beyond the moment and realize that someone is standing with you helping you to achieve your purpose. In order to make this happen there's a very special place that you need to enter into. This very special place is what is called the cave. It is this very same cave that Rabbi Shimon bar Yochai entered into at the beginning of this text. While he was in the cave Elijah came to offer insights, discovery, revelations into meanings of the word Bereishis. There are 70 meanings that are discussed. Now we realize that whenever we are speaking of one thing it needs by relationship to another thing. This is the basis for all of the expositions that are presented in TKZ and by extension in every bit of my commentary.

It is in this commentary inside of the cage inside of the cave that you will find Elijah standing by you.

The cave is your untapped awareness, and it is inside of the cave that we find in the opening for Rabbi Shimon and his son Eleazar.


They flee to the wilderness of Lod. Lod is spelled Lamed 30 Vav 6 Dalet 4 which adds up to forty. It is this same wilderness of 40 that symbolizes the Israelites sojourn following their deliverance from Egypt.

It is inside of this wilderness that all of our insights about Torah are revealed.
 Call this an in-depth study of the meanings we may find via the connections of Torah.

It would have been enough to discover the meanings and be enlightened by them. However, a further step has been taken. These Torah insights have been combined with their practical applications to every day life.

This makes Tikkunei Zohar Revealed A unique tool for accessing both the secrets of Torah and deeper inner meanings of our own consciousness.

Along the way we learn about the mystical teachings of Kabbalah. If there is one thread that runs through the entire narrative it is Shekinah. In simple terms Shekinah is the connecting link between above and below existing in simultaneous timeless being both above and below.

• Sales Rank: #781147 in Books
• Published on: 2015-03-20
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x 1.48" w x 7.44" l, 2.53 pounds
• Binding: Paperback
• 654 pages

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1 of 3 people found the following review helpful.
A commentary on a mystical book
By Israel Drazin
Mark Siet gives the opening translations of a few lines from each of the sections of Tikkunei Zohar (also spelled Tekunei) which he translated from a Hebrew translation of the original Aramaic. He follows this brief translation with a commentary which is based on the full section. The full section is not in his book. The commentary focuses on his understanding of kabbalistic principle and his studies in consciousness. He writes that his goal is to “bring forth the hidden mysteries [of the Torah].” Topics include ritual, prayer, the Tree of Life, the Tree of Knowledge of Good and evil, the mystical meaning of many things in the Torah, and much else.
What is the Tikkunei Zohar?
Most people have misconceptions about the Zohar (meaning, “luminous”) and the Tikkunei Zohar, also called Tekunei Hazohar, “rectification (or repairs) of the Zohar.” They believe the Zohar and the Tekunei are holy documents composed by Rabbi Simeon bar Yochai around the year 130 CE. However, scholars recognize that Moses d’ Leon, a Spaniard living in Granada, wrote the Zohar around 1286, that parts of the book were added by others after his death, and that the work is a pious forgery. Zohar, “luminous,” alludes to the notion that God illuminates the people through mysticism. But while ostensibly dealing with enlightenment, the Zohar is usually very difficult to understand and many of its ideas are mystical, which are hard if not impossible to fathom.
The Tekunei Zohar is a separate document than the Zohar. Its first printing was in 1558. It contains seventy commentaries. The idea of “repair” is not to fix the thirteenth century Zohar but to repair God.
Both the Zohar’s and Tekunei’s basic teaching is the doctrine of the Sefirot, “numbers,” ten divine entities (parts of God) that function in ten different ways. The lowest entity is shekhinah, also called malkhut, which mystics see as the anthropomorphic feminine part of God that interacts with humans.
The mystics feel that the ten parts of God became separated and that humans have a duty to help God become one with all his ten disjointed parts reassembled. When this is done, the messianic age will arrive.
While mystically-minded people may enjoy the Zohar and Tekunei or parts of it, rationally-minded people will find it hard to understand and difficult to accept ideas they do understand. They find the notions in these books especially difficult since most mystics take them literally. Some examples of teachings in the Tekunei are:
• Prayers form the basis for the throne upon which God can reside.
• God’s name Adonai is the chariot for y-h-v-h (another name for God).
• The lowest part of the ten parts of God is female, which has to be reunited with the other ten parts of God. People should learn from this and unify with their feminine nature.
• There is no Torah without fear and no fear without Torah.
• The twelve zodiacal signs determine the sign for each hour and what its aspect is.

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[W252.Ebook] Download PDF The Great Last Days Deception, by J.B. Hixson

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We live in an era where "virtual reality" has replaced reality. Image trumps truth. Style supersedes substance. It has become very difficult to separate fact from fiction. This is because Satan is the prince of this world and he, "does not stand in the truth, because there is no truth in him. When he speaks a lie, he speaks from his own resources, for he is a liar and the father of it" (John 8:44). The lies of Satan are not limited to mere theological or philosophical discussions. They have very real implications. His fabrications have swept the globe and continue to dominate the headlines of our time. These lies serve to advance his agenda in very direct ways. Even many Christians have become unwitting and unknowing captives of Satan's global deceptive scheme. As the great deceiver, Satan's primary goal is to blind the hearts of mankind to the truth (2 Cor. 4:4). In this book, we will examine Satan's agenda of deception in great detail. We will learn that his deception has grown more and more powerful with each passing generation (2 Tim. 3:13). The Bible tells us that the age in which we live is an "evil age" where the "whole world is under the sway of the wicked one" (Gal. 1:4; 1 John 5:19). We will see how Satan's murderous intention to kill, steal, and destroy all lifehas gained momentum (John 10:10). It will become clear that the cosmic struggle between good and evil is far more real ... far more active than perhaps you ever imagined. The struggles we face are, "not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this age, against spiritual hosts of wickedness in the heavenly places" (Eph. 6:12). Deception does not have to be forceful; it is often subtle. We live in a frightening world of lies and hidden agendas. It is a world of spiritual realities, cosmic battles, unseen enemies, and demonic principalities. It is imperative that we "examine everything carefully" and "hold fast to that which is good" (1 Thess. 5:21). When we wake up to the world as it really is, it can be terrifying. Yet, wake up we must if we are to survive this Great Last Days Deception.

• Sales Rank: #2369177 in Books
• Brand: Brand: Lucid Books
• Published on: 2012-05-04
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .36" w x 5.51" l, .45 pounds
• Binding: Paperback
• 154 pages

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• Used Book in Good Condition

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2 of 2 people found the following review helpful.
Hixson does a great job in tying together the events and exposing Satan ...
By Rev. Robert H. Reid
J.B. Hixson does a great job in tying together the events and exposing Satan and the coming global New World Order agenda that we see taking place all around us. Professor Hixson is a solid Bible scholar, proponent for the Pre-Millennial, Pre-Tribulation Rapture of the Church. Excellent chapter on the "Ten Lies Impacting the World Today". Excellent lead-ins to each chapter and key topics. You will be surprised to learn that Charles Darwin was not a scientist but rather an eugenicist, and the forerunner for Margaret Sanger's Planned Parenthood, and the ridding the world of undesirables!

6 of 8 people found the following review helpful.
An insightful, very well articulated and much needed warning.
By Hutson Smelley
This is an excellent book written from a dispensational, pre-tribulational viewpoint. The primary purpose of this book is not so much to defend a particular eschatology, although the author's view is clear. Rather, the focus is on the methodology and machinations of Satan, particularly in our day, and how this fits within the warnings we have in the Scriptures about Satan's use of deception and how this fits within the larger eschatological context. The author includes well-documented examples of many of the false ideas that have been promoted and accepted in our society and that substantially impacted this country and the world. The author explains why these false ideas have prospered rather than being rejected. I highly recommend the book as a much needed warning siren, particularly for believers not to fall prey to the deception. Note that this book has discussion questions at the end of each chapter and is not a particularly long book. Chapters are fairly brief and so this book would be excellent for leading a small group study.

2 of 3 people found the following review helpful.
Satan Has Already Deceived the Whole World
By Thelma G. Babin
Not a lot of meat here. This book is more for babes in Christ. The subject matter of deception is, however, extremely important for this season. Our Lord summed up the last days as days of deception. Many will be deceived. But you don't have to be. This book is recommended but I'm looking forward to more revelation of His word. May the five-fold ministers bring us the meat of the Word and bring much glory to our God. His Word is forever.

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[G818.Ebook] Ebook EJ and the Bully - A Lesson in Respect (Auto-B-Good), by Phillip Walton

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The Auto-B-Good storybook series is based on our five-time Emmy® award-winning animated series. Each 48 page storybook is brightly illustrated with stunning 3D art and tells an exciting story that teaches an important character trait. Children will love reading about EJ, Izzi, Cali, and the rest of the gang as they learn what it means to have good character!

EJ and the Bully - A Lesson in Respect
EJ knows that running for class president won't be easy, especially when Warren the class bully is doing everything he can to win. When a dirty trick leaves EJ humiliated, an old friend helps him see that no matter what happens, EJ is still worthy of respect.

• Sales Rank: #1596698 in Books
• Published on: 2010-03-15
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 11.00" w x .25" l, .75 pounds
• Binding: Hardcover
• 48 pages

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0 of 0 people found the following review helpful.
Great Way to Teach Character
By Vocalista
Excellent way to teach the character trait of respect to younger children or special needs students. I bought this ebook and projected it to the smart board. My students loved it.

0 of 0 people found the following review helpful.
Great book
By Charlotte J Mills
I will continue to look for more books by Phillip Walton. He does a great job putting life's lessons into easy to read stories for children.

0 of 0 people found the following review helpful.
All of the auto b good series. Five stars
By Charles shousha
Great emotional education book.

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[K986.Ebook] Ebook Free Crime and Human Nature, by James Q. Wilson, Richard J. Herrnstein

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Book by Wilson, James Q., Herrnstein, Richard J.

• Sales Rank: #1026944 in Books
• Brand: Brand: Simon n Schuster
• Published on: 1985-08
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 639 pages

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• Used Book in Good Condition

From Library Journal
Since its establishment, the field of American criminology has been dominated by liberal scholars. But, over the past ten years, neoconservatism has become a force in criminology. Wilson, the leading advocate of this right-ward move, and Herrnstein, who is noted for his work on I.Q., race, and meritocracy, have written what should become the major source on this important development in criminology. Its moderate, Aristotelian behavioral theory is reminiscent of Edward Banfield's Unheavenly City Revisited and Ernest Van Den Haag's Punishing Criminals , but this book probably will have greater impact than either of these or any of Wilson's and Herrnstein's earlier writings. It will be praised by many and criticized by others who will complain that it does not expose the proper ``myths about crime,'' does not explain why ``the rich get richer and the poor get prison,'' and turns attention away from the corrupting influence of modern institutions. Essential reading for anyone seriously interested in crime or human nature. John Broderick, Sociology Department, Stone hill College, N. Easton, Mass.
Copyright 1985 Reed Business Information, Inc.

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74 of 79 people found the following review helpful.
A Very Important Breakthrough in Understanding Crime
By Eric Gartman
When Wilson and Herrnstein's "Crime and Human Nature" first appeared in 1985, it caused a major debate. American sociologists had generally ascribed crime to environmental factors, particularly poverty. Wilson and Herrnstein proposed that constitutional factors, coupled with poor parenting, were really the causes of crime. It was the first major examination of such factors since the early days of criminology. The authors proposed that the following constitutional factors predisposed an individual to crime:
1) Mesomorphic body type: There are three body types and mesomorphs are described as heavily built, either muscular or fat, and shorter than average. The authors don't even attempt to explain why this would predispose an individual to crime. But the statistics they use to back up this claim can't really be denied. Criminals are overwhelmingly mesomorphs with a slight emphasis to endomorphism (roundness) rather than ectomorphism (lean build). Stereotypes of criminals back up this claim: Think of the way famous mafiosos are built: John Gotti, Sammy Gravano, Tony Soprano, etc. Realizing that they can't explain why this affects crime, the authors simply state that it shows that constitutional factors matter; The other biological factors they describe are more straightforward.
2) Age: Criminals are predominantly young. Crime peaks from ages 16-25 and begins to descend downwards from thereon, although violent crime peaks from ages 24-28. Unlike body type, the authors seem to think they know why age causes crime, offering several possibilities. Young people have shorter time horizons, and are more interested in immediate gratification. Young people are less well off financially, have less dependents and so on. Few people would dispute age as a major factor in crime.
3) Sex: Men commit far more crimes than women, although the figures aren't completely clear as to how much more. An estimation of 90 percent seems likely. The question is why? Obviously men are more aggressive than women, but why do women commit crimes? The authors state that women commit crimes for the same reasons as men. As for why, all they can say is that for reasons both nature and nurture, men have different sex roles than women, and these affect crime.
4) Intelligence: Low intelligence, particularly the verbal component, seems to have a major impact on the criminal individual. The reasons are that those with low intelligence discount future events as being too far off to matter. They try and live for the moment. They may also be less able to grasp moral concepts.
5) Personality: Criminals differ on personality in nearly every study done on them. Criminals tend to be more aggressive, unafraid, assertive, impulsive and extroverted than others. They are also poorly socialized, meaning they display little regards for others feelings.
The authors are quick to note that constitutional factors are not only hereditary. They may also be affected by poor pre-natel care. Thus the genes alone don't dictate criminal behavior, but they do predispose an individual to crime. If those traits are reinforced by certain environmental factors, then criminal behavior may result.
By far the most important developmental factor, according to the authors, is parental style. Inconsistent and random discipline prevents a child from knowing when to expect punishment. The rules are not made clear, and the child never internalizes them. Furthermore, a cold parent does not produce the necessary attachment with their child that is important in later development. The child never develops a desire to please the parent or obey the rules. This pattern continues into adulthood. As far as developmental and environmental factors go, this is really the only one the authors point to as having a major impact. Indeed, they spend the next few chapters explaining why other factors don't matter, including schools, neighborhoods, labor markets, and television violence. Delinquents are likely to flock together in the schoolyard: A few rotten boys don't spoil the others. Certain kinds of neighborhoods attract certain kinds of people, and they point to an ecological fallacy: Ascribing the characteristics of an individual to the group where he lives. Labor markets only marginally affect crime, and the reasons are not entire clear yet. One environmental factor they do point to are durgs, specifically alcohol and heroin (the book came out before the crack epidemic broke in 1985, or surely crack would been included). These alter a persons time horizons and lead to impulsive behavior, as well as the need for money to support the habit. It is not clear how constitutional factors affect people in predisposing them to use drugs though. Perhaps they share some of the above constitutional traits.
After setting forth their model of criminal behavior as a choice that people make based on biological factors coupled with inadequate parenting, it seems only logical to expect policy suggestions on how to reduce crime. But they offer few. One reason is that since the book was both controversial and revolutionary, they were first interested in seeing their theory of criminal behavior become accepted. Since being written, it has indeed gained widespread acceptance, although it doesn't explain white-collar crime, and doesn't seem to explain organized crime either. The authors would counter that organized crime results from the same factors that they lay out in their general model. And it seems a valid point in explaining organized crime, who's members share many characteristics with petty criminals.
What is missing from the book is causation. After establishing an elegant an encompassing theory of crime which looks at both biological and environmental factors, the authors need to fill in the blanks. Most notably, why do mesomorphs show more criminal tendencies? And why do some men become criminals, while most don't? And how does one explain why women commit crimes? There is something notably missing here: How does one explain aggression, and the link between muscularity and aggressiveness?
Since 1985 researchers have closed in on the answer. It seems that the male hormone testoserone is responsible for aggression. Men with low testoserone claim to be tired, and unenergetic. After receiving the hormone, they say they feel better. No studies have been, however, to give men with high levels of testoserone more of the hormone for fear of uncontrolled behavior. Nonetheless, the correlation seems clear. It seems that mesomorphs, youths, and men all have higher testoserone than their counterparts. This explains their aggressive behavior. But even those three factors together cannot explain crime. Low intelligence, bad temperament, and poor parenting must also be factored in. A young man with high testoserone and a well adjusted personality will be highly successful. Indeed, society needs energetic young men to fight its wars, fight fires, and police the streets, among other jobs. It is only aggression in tandem with the other factors that is a problem.
Finally, we must address how to reduce crime, based on the model described here. One solution has been eugenics. The neo-Eugenics movement loved this book, using it to claim that crime is genetic, and to reduce crime all we have to do is sterilize criminals. While there is much in this book to support that claim, there will still be individuals born with these genetic traits. And most of all, society finds that solution abhorrent and unethical. I believe there are better ways to deal with criminals. If criminals are aggressive, impulsive, short-sighted young men, one way to deal with them is to slow them down. The tranquilizing effect of drug treatments would slow their impulses, and make them think before they act. No such drug has been introduced, but it seems like one could be not to far in the offing. Treatment programs like those offered by Stanton Samenow which help criminals by making them think about their every action, and what it will lead to in the future, could be done in tandem with drug treatment. By doing these things, along with strict policing, we can reduce crime greatly in our society.

20 of 26 people found the following review helpful.
Not PC, but the truth often isn't
By Amazon Customer
I read this book for a philosophy class in college. After having done more research, I realized how important this work really is. The prevailing theories and proposed solutions for the crime problem in the U.S. are not represented here. That is mostly likely because the views and statistics found in this book are not politically correct. However, I believe they have much more merit, as they are founded on common sense and realistic strategies.

People reading this book will understand how throwing money at problems is ineffective and wasteful. You will also understand a very basic principle that I believe is greatly misunderstood:

There is no such thing as effective rehabilitation. Rehabilitation is a myth.

That isn't to say that people in prison cannot benefit from time, patience, and education. The simple truth is that there is no known effective method for changing people's behavior. And I think the general population has been duped into believing there is.

In any case, give this book a read, and see if it doesn't challenge the way you view the world and the people in it.

17 of 22 people found the following review helpful.
Fearless in pursuit of the truth
By Leonard Maskell
At a time when PC activists are seeking to destroy the careers of academics who dare to suggest that not all people are created equal, this book is a reminder of what is at stake. "Crime and Human Nature" is a fearless, compelling attempt to get to the heart of a subject that concerns everybody in modern society. The authors present the whole picture, theories, evidence, and controversies, with rigor and clarity. You will not find a better survey of the subject anywhere. The book should also be required reading for anybody who wants to learn how to construct an argument.

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Crafting Short Screenplays That Connect, Fourth Edition stands alone among screenwriting books by emphasizing that human connection, though often overlooked, is as essential to writing effective screenplays as conflict. This groundbreaking book will show you how to advance and deepen your screenwriting skills, increasing your ability to write richer, more resonant short screenplays that will connect with your audience.

With her candid, conversational style, award-winning writer and director Claudia Hunter Johnson teaches you the all-important basics of dramatic technique and guides you through the challenging craft of writing short screenplays with carefully focused exercises of increasing length and complexity. In completing these exercises and applying Claudia’s techniques and insights to your own work, you will learn how to think more deeply about the screenwriter’s purpose, craft effective patterns of human change, and strengthen your storytelling skills.

This new edition has been expanded and updated to include:

• A companion website (www.focalpress.com/cw/johnson) with ten award-winning short films featured in the book, including two outstanding, all-new short films―Intercambios and the Student-Emmy-Award-winning Underground

• A new chapter on scene and structure that will help you find the right structure for your short screenplay

• A new chapter on crafting effective dialogue and subtext that will teach you to make the most of every word and add further depth to your script

• Sales Rank: #103601 in Books
• Published on: 2014-08-24
• Released on: 2014-10-08
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .94" w x 6.00" l, 1.27 pounds
• Binding: Paperback
• 444 pages

Review

"Claudia Johnson leads the reader through the process of writing the short film, along the way illuminating something much bigger―how to write great drama in any form."

- Linda Seger, Author, Making a Good Script Great

"Crafting Short Screenplays That Connect, Fourth Edition is an incredible, insightful guide to writing an effective, engaging short screenplay. Claudia Johnson takes the reader through the journey of crafting screenplays using connection as the path."

- Dr. Valliere Richard Auzenne, Florida State University College of Motion Picture Arts

About the Author

Claudia Hunter Johnson is a writer/director whose feature documentary The Other Side of Silence: The Untold Story of Ruby McCollum won Best Florida Documentary Film at the 2012 Ft. Lauderdale International Film Festival and the Gold Jury Prize at the 2013 Social Justice Film Festival. She recently completed (with Matt Stevens) the feature screenplay Ruby, based on her documentary. A nationally recognized advocate for free speech, she won the inaugural P.E.N./Newman’s Own First Amendment Award, and her critically acclaimed memoir Stifled Laughter: One Woman’s Story About Fighting Censorship was nominated for the Pulitzer Prize. She is a member of the founding faculty at the Florida State University College of Motion Picture Arts where she continues to teach screenwriting courses.

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5 of 5 people found the following review helpful.
Crafting Short Screenplays That Connect: A Closer Look
By C J Singh
Crafting Short Screenplays That Connect: A Closer Look
.
Reviewed by C J Singh (Berkeley, CA)
.

Claudia H Johnson's insight of the connect-disconnect pattern in storytelling came first to my attention in the early editions of Janet Burroway's classic textbooks Writing Fiction: A Guide to Narrative Craft and the more recent Imaginative Writing: The Elements of Craft (See my detailed reviews of the current editions of both books on amazon.)

In "Writing Fiction," 1994 edition, Burroway wrote: "I'm indebted to dramatist Claudia Johnson's crucial insight...whereas the hierarchical or vertical nature of narrative, the power struggle, has long been acknowledged, there also appears in all narrative a horizontal pattern of connection and disconnection between characters, which is the main source of its emotional effect."

As organizer of our writing group CreativeWritersBerkeley (now a meetup), I have long been using the earlier editions of Claudia Johnson's screenwriting as well as Burroway's fiction-craft books as the major texts.

Introducing CRAFTING SHORT SCREENPLAYS THAT CONNECT, fourth edition, Johnson describes Burroway's immediate appreciation of her insight when she went to see her: "This is big - the other half of Aristotle" (p xxiv). Both are professors at Florida State University. Johnson's book was first published in 2000. It received considerable acclaim.

On the fourth edition's jacket, Linda Seger, author of several books on screenwriting, notes: "Claudia Johnson leads the reader through the process of writing the short film, along the way illuminating something much bigger - how to write great drama in any form." Burroway has been right all along in her fiction-writing textbooks.

The new edition expands expository chapters, adds several short films, presents ten screenplays by her students, and provides access to their films at the companion website. Several of these plays won multiple awards including the Student-Emmy Awards.

Here are some of the highlights of the four parts of the nearly 400-page book.

PART I, Preparing to Write the Short Screenplay, four brief chapters.

On page 11, appears an excellent exercise "Connecting to Self" that asks the reader to write down top five answers to each of the ten questions:

"What I Love;
What I Hate;
What I Fear;
What I Believe;
What I Value;
What I Want;
What I Know About;
People Who Made a Difference in My Life;
Discoveries That Made a Difference in My Life;
Decisions That Made Difference in My Life"

The above exercise can open the path to writing from the heart. It's similar to the Step 1 exercise "Write Something That May Change Your Life" in John Truby's highly regarded The Anatomy of Story: 22 Steps to Becoming a Master Storyteller . (See my detailed review on amazon.) Truby exhorts, "Do some self-exploration, something most writers, incredibly enough, never do."

PART II, Aspects of the Craft, five chapters.

The fifth chapter, Story and Screenplay, claims "Everything You Need to Know You Can Learn" from one scene in Charlie Chaplin's "City Lights." As a fan of Charlie Chaplin geAfter reading Johnson's masterly four-page analysis of this scene and as a fan of Chaplin's genius and after reading Johnson's 4-page detailed analysis of the scene, I agree with her: "You can't learn everything you need to know, but you can get pretty close if you pay close attention" to it (p 53).

6. The chapter, Character, cites excerpts from the works of Charles Dickens's "A Christmas Carol," William Goldman's "Butch Cassidy and the Sundance Kid," George Lucas's "American Graffiti," Ray Bradbury's "Zen in the Art of Writing," Woody Allen's "Hannah and Her Sisters" as well as several of her students' works.

7. The chapter, Structure, questions Syd Field's paradigm of a rigid three-act structure and plot points in favor of William Goldman's advice of flexibility: "The proper structure should be for the particular script you are writing." Highly instructional in this chapter is the description of one of Johnson's students, Brian Gutierrez Arramayo's struggle. He tried to adhere to the Field paradigm in the first fourteen drafts of his screenplay "Intercambio." In the fifteenth draft, observes Johnson, "Getting back to the heart of the story - - and getting in touch with his own heart - - gave Brian the confidence he needed to replace his longer, expositional, Paradigm-perfect Act One attempts with a brief opening scene that deftly sets up Cristina's circumstances, want, and intention" (p 81).

8. The chapter, Dialogue, includes effective and entertaining examples from screenplays such as Susannah Grant's "Erin Brokovich," Robert Benton's "Kramer vs Kramer," and Woody Allen & Marshall Brickaman's "Annie Hall."

PART III, Five (Not So) Easy Screenplays are exercises.

Each chapter includes guidelines to do the exercise and presents examples from classic as well as students' screenplays.

9. The chapter, The Discovery, exercise: "Write a three-page screenplay about a character making a discovery that makes a difference to the character" (p 113).

10. The Decision, exercise: "Write a three-to-five page screenplay about a character making a decision that makes a difference to the character" (p 123).

11. The Boxing Match, exercise: "Write a five-page screenplay about a character (A) who wants something that a second character (B) does not want to give" (p 133)

12. The Improbable Connection, exercise: "Write a seven-page screenplay about two characters who initially feel no connection whatsoever -- a connection between them is highly improbable -- but by the end of the screenplay they have come to feel a authentic connection" (p 145).

13. The Long Short Screenplay, exercise: "Write the best ten-page (or shorter) screenplay you can -- using the techniques you have learned to tell a good story that makes us connect -- a pattern of human change that makes a difference to your main character. And to us" (p 153).

PART IV, Eleven Screenplays That Make It Look Easy.

14, "Chillin' Out" - a webisode
15, "Intercambios" - a Latina defrauded at bank.
16, "Underground" - an African-American man, trying to protect his daughter, lynched in 1850.
17, "Tough Crowd" - a screenplay.
18, "Kosher" - a lovely comedy of a 6-year old couple "getting married."
19, "My Josephine" - a screenplay.
20, "A Work in Progress" - a screenplay.
21, "Lena's Spaghetti" - a screenplay.
22, "Cool Breeze and Buzz" - a screenplay.
23, "The Making of `Killer Kite' " - a mockumentary.
24, "Slow Dancin' Down the Aisles of Quickcheck" - a screenplay.

ALl of the above ten short films can be viewed in less than three hours total.
-------------
ACCESSIBLE BY COPYING and PASTING THE FOLLOWING IN YOUR WEB BROWSER:

routledgetextbooks.com/textbooks/9780415735476/
-------------------

My top three choices are:
1."Intercambios";
2."Underground";
3. "Kosher."

You are invited to list your top three choices in the Comments section below.
I look forward to using the fourth edition as one of the two major texts at the CreativeWritersBerkeley meetup.
Five shining stars for the screenplays and films.

1 of 2 people found the following review helpful.
Great resource for teachers and students
By ANDREW
If you're looking for a book to help teach screenwriting, this could be your best choice. The writing style is clear and lively, full of illuminating anecdotes and references to familiar films. The linear structure of the book and the way it goes from simple to more complex exercises makes it suitable for teaching (or teaching yourself) on a short 'toe-dipping' course or for a much longer period. I teach Creative Writing in a sixth form college and my group have enjoyed the exercises and analysing the example screenplays. After looking through several texts of this type I went for this one, perhaps because the author is a teacher herself and so knows how to break things down and build them up - something missing from many other introductions to screenwriting. Highly recommended.

0 of 0 people found the following review helpful.
Five Stars
By Cindy Cervantes
Great condition

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[V169.Ebook] Ebook Download Crafting Short Screenplays That Connect, by Claudia H Johnson Doc

[V169.Ebook] Ebook Download Crafting Short Screenplays That Connect, by Claudia H Johnson Doc

[V169.Ebook] Ebook Download Crafting Short Screenplays That Connect, by Claudia H Johnson Doc